Skip to main content

Posts

Typography Bibliography

I love typography. For my contribution to an upcoming collection on the rhetoric of type, I consulted the following texts: Bennett, Paul A., & Bruce Rogers. (1963). Books and printing : a treasury for typophiles (1st Forum Ed. ed.). Cleveland: World Pub. Co. Berry, John D. (2006). dot-font : talking about fonts (1st ed.). New York: Mark Batty Publisher. Bringhurst, Robert. (2004). The elements of typographic style (3rd ed.). Point Roberts, WA: Hartley & Marks, Publishers. Carter, Sebastian. (1995). Twentieth century type designers (New ed ed.). London: Lund Humphries Publishers. Clair, Kate. (1999). A typographic workbook : a primer to history, techniques, and artistry . New York: Wiley. Coles, Stephen. (2012). The anatomy of type : a graphic guide to 100 typefaces . New York: Harper Design. Davis, Graham. (2007). The designer’s toolkit : 500 grids and style sheets . San Francisco: Chronicle Books. Dodd, Robin. (2006). From Gutenberg to opentype : a...

Slowly Rebooting in 286 Mode

The lumbar radiculopathy, which sounds too much like "ridiculously" for me, hasn't faded completely. My left leg still cramps, tingles, and hurts with sharp pains. My mind remains cloudy, too, even as I stop taking painkillers for the back pain and a recent surgery. Efforts to reboot and get back on track intellectually, physically, and emotionally are off to a slow, grinding start. It reminds me of an old 80286 PC, the infamously confused Intel CPU that wasn't sure what it was meant to be. And this was before the "SX" fiascos, which wedded 32-bit CPU cores with 16-bit connections. The 80286 was supposed to be able to multitask, but design flaws resulted in a first-generation that was useless to operating system vendors. My back, my knees, my ankles are each making noises like those old computers. If I haven't already lost you as a reader, the basic problem is that my mind cannot focus on one task for long without exhaustion and multitasking see...

Screenwriting Applications

Screenplay sample, showing dialogue and action descriptions. "O.S."=off screen. Written in Final Draft. (Photo credit: Wikipedia ) A lot of students and aspiring writers ask me if you "must" use Final Draft or Screenwriter to write a screenplay. No. Absolutely not, unless you are working on a production. In which case, they own or your earn enough for Final Draft or Screenwriter and whatever budget/scheduling apps the production team uses. I have to say, after trying WriterDuet I would use it in a heartbeat for a small production company and definitely for any non-profit, educational projects. No question. The only reason not to use it is that you must have the exclusive rights to a script... and I don't have those in my work. WriterDuet is probably best free or low-cost option I have tested. It is very interesting. Blows away Celtx . The Pro version with off-line editing is cheaper than Final Draft or Screenwriter. The Pro edition is a standalone, o...

Dying Digital Communities

Teaching colleagues, especially those in "New Media" and the "Digital Humanities," might find the pattern below interesting. The image is the report for activity on an academic mailing list from 1999 to present. Similar patterns are visible when I check other mailing lists. It's like the USENET statistics. Where are people going to discuss academic topics?  I left the WPA-L and other lists, because they were too often off-topic and/or not about scholarship and pedagogy. I didn't enjoy the mailing lists anymore. The fun was gone, though a core set of users remained active on other issues. Maybe that's the problem for all online spaces: they become insular.  The loss of RSS from some sites also reduced my connection to academic discussion. I really miss having easy access to RSS, and don't like Twitter or Facebook as my news feeds. From 2002 through 2010 was an active, exciting time for online communities. That's eight or nine y...

Loyal, but Frustrated Apple Fan

English: The logo for Apple Computer, now Apple Inc.. The design of the logo started in 1977 designed by Rob Janoff with the rainbow color theme used until 1999 when Apple stopped using the rainbow color theme and used a few different color themes for the same design. (Photo credit: Wikipedia ) Apple needs a revamp. It has turned into a big phone maker, with little side hobbies in computing, software, and television. Sure, by any metric, the computing and software side is huge, but these feel like afterthoughts at the current Apple Inc. Apple Computer is no more, I realize, and the computer world today is nothing like the 1980s or even 2000, when a desktop computer was necessary for basic work. But, someone has to code and create content. To create content requires a big, powerful, computer. I have some suggestions for Apple, which are unlikely to be read. Spin off the software so it becomes the primary focus of a stand-alone company or two companies. In fact, two is better...

Certified Final Cut Pro Professional... Why?

Fourteen units into my MFA in Film and Digital Technology, I passed the Apple certification exam for Final Cut Pro X 10.2 (Post-Production). As a believer in digital composition and new media, having the skills to edit audio and video — and the ability to teach those skills — was important to me. But, as a colleague noted, credentialism is fading quickly in the technology industry. Finally, people have realized passing an exam is not indicative of having essential job skills.  When I was in college, Novell NetWare certification was the golden ticket to many jobs. Networking was a mix of hardware and software, with little standardization. Testing assured a minimal level of knowledge. Today we have the return of the Builder/Maker culture that started the PC revolution. People learn to build Raspberry Pi contraptions, with Arduino controllers and Java or C code. Networks are easy, relatively speaking, compared to building a home robot. The reason to take any exam today is to ...

Digital Media Future

By May, I'll be half-way through an MFA in Film and Digital Technology. People ask why a Ph.D in rhetoric would need an MFA. My explanation follows. Rhetoric (and composition, since they are often lumped together in academic settings) has struggled between the tension to teach traditional rhetoric and a need to update our courses and field to reflect new technologies and trends in communication. Other departments expect us to teach how to format academic papers (MLA, APA) and write traditional genres: the five-paragraph (yuck) "essay" (which isn't an essay at all), the term paper, the journal article, the "book review" (again, which isn't a review at all), the thesis, and so on. We know these forms and many of us want to resist them. Yet, our classroom work is often relegated to the "service" of other academic fields. Shifting away from composition seems necessary for me to explore rhetoric where it is now most effective at reaching broa...